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This time it’s personal: the Tweedy family album
... drummer], doing demos, and some improvised stuff with Mikael [Jorgensen, keyboards] and Nels [Cline, guitar],” he says. “I think the idea is to have a new Wilco record out by the end of...
Read more at The Irish Times
... he owns a $350 pair of lampshades, that he still practices the guitar (though not as much as
), that the dude who signed him lives in Santa Fe, that he loves Led Zeppelin's acoustic...
Read more at Salt Lake City Weekly
Album reviews - Sleater-Kinney ferocious as ever ...
... and abhorrence of traditional rock patterns (and maybe a fondness for jazz guitarist
). The snarling guitar figures for "No Anthems" and "A New Wave" are equally ferocious,...
Read more at The Wilmington Star-News
Savages, Action Bronson, A-Trak, More Cancel Show...
Bronson - B.B. King's (1/26) Savages - Baby's Alright (1/26) Marilyn Manson - Terminal 5 (1/26)
- Iridium (1/26) Bully - Pianos (1/26) Broncho - Rough Trade (1/26) Louis C.K. -...
Read more at Pitchfork
New York City
Madison Square Garden
Friday Mixtape with Concert Video Footage
—the lead guitarist from alt-rock band Wilco—played two shows with jazz guitar virtuoso Julian Lage at the very intimate Royal Room in the Columbia City neighborhood of Seattle...
Read more at The Source Weekly
If Wilco's Nels Cline Couldn't Play Free Jazz, He...
Guitarists Julian Lage and
lead wildly different musical lives. Lage operates primarily in a jazz realm, having collaborated with Jim Hall, Gary Burton, and Eric Harland. Yet, he's also...
Read more at Phoenix New Times
Quintron and Miss Pussycat
... it's gone, and then picks up again without warning. Quintron performed a paean to it (with
, Sean Lennon and Sonic Youth drummer Steve Shelley) in New York City in November, and...
Read more at Best of New Orleans Gambit
RoomNels Cline & Julian Lage
... jazz guitar and his winning detours into bluegrass. Check your skepticism at the door.
and Julian Lage don’t need a rhythm section to fill out their sound. Nor does Cline bring...
Read more at JazzTimes Magazine
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